Purple House

With special guest:

• Sarah Brown
  … in conversation with Bill Kable

Twenty years ago in Central Australia the Aboriginal people called kidney disease “never return home.”

When kidney transplant is not available survival from end stage renal failure means dialysis where the patient is hooked up to a machine for five hours every second day for the rest of the patient’s life. And if Central Australians can only access the machines in Alice Springs and Darwin then that is where they will spend the rest of their lives.

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Still a Pygmy

With special guest:

• Isaac Bacirongo
  …in conversation with Bill Kable

When you are born and raised in Australia you know little about life as a refugee despite it being a frequent topic for conversation and opinion. Most of us have never spoken to a refugee.

Our guest today is Isaac Bacirongo who arrived in Sydney in 2003 with his wife and ten children as refugees after surviving the effects of Rwanda’s civil war in his own country, Congo.

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Keith Urban

With special guest:

• Jeff Apter
  … in conversation with Bill Kable

Our own Keith Urban is an enormous success in the biggest music market of all, the United States. Who knew? For some reason Keith Urban has never been really big or even acknowledged in Australia and today we get a few clues as to why that is so.

There is a lot more to Keith than the amiable coach we see in The Voice on Australian TV and our guest today can let us in on some surprises. In his new book Keith Urban our special guest Jeff Apter takes us from Keith’s birth in New Zealand to childhood days on the outskirts of Brisbane to being “discovered” while playing at the Bayview Hotel in Sydney and reaching the stage where he is asked to sing at the opening of the Tokyo Olympic Games. On top of that Keith has been married to Nicole Kidman since 2007 to add a bit of Hollywood glamour to his life.

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The Opera House

With special guest:

• Peter FitzSimons
  … in conversation with Bill Kable

As well as being a 20^th century marvel in its soaring design it remains a source of marvel that the Opera House was even conceived in the parochial, conservative backwater that was 1950s New South Wales.

One thing that was typical then and remains so is the Australian love for a gamble so it was a brainwave of the NSW government to think of financing the construction by way of a lottery. All of a sudden there were more than enough funds to do the work of construction.

But the bigger gamble was to construct a building like no other that would be on display at the heart of the city with techniques that had not been invented based on the imaginings and sparse drawings of a Danish architect who had never taken a building design through to completion.

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